In the early decades of the 20th century, Victoria’s artists lived in a world of informal networks and makeshift exhibition spaces. Schools, churches, and private homes became galleries by necessity, and the Island Arts and Crafts Society, founded in 1909, provided one of the few organized platforms for artists to display their work. Yet even in this close-knit community, opportunities for serious public engagement were limited. For Emily Carr, the city she called home…
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