In the summer of 1898, a young Emily Carr boarded the steamship Willapa to return to Victoria with a portfolio of drawings and watercolours of the Indigenous communities of Ucluelet. She was just 27 and already deeply committed to becoming a serious artist, even though that path for women was anything but straightforward. The steamship Willipa was a slow-moving vessel, typically transporting and dropping off mixed cargo, livestock, and passengers along the coast. A…
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