Sophie Pemberton (1869-1959) and Emily Carr (1871-1945) are often mentioned together as early professional women artists from Victoria, yet their relationship is best understood not as a close friendship, but as a series of parallel trajectories shaped by the same place, the same small artistic community, and profoundly different temperaments and circumstances. Read more: Not Friends, Not Rivals: Emily Carr and Sophie Pemberton in Early Victoria Their lives overlapped repeatedly—sometimes…
In the British Columbia Archives at Victoria are one hundred and twenty-three pictures by Emily Carr, in pen, pencil, charcoal, watercolour and oils. These formed part of the valuable collection of Indian art and natural history which belonged to the late William Arnold Newcombe, biologist, anthropologist and ethnologist of Victoria, who died suddenly in November 1960. His collection also embraced that of his father, Dr C. F. Newcombe, a noted expert on natural history…
Emily Carr’s lifelong search for a language big enough to hold the forests and skies of the West Coast found an important companion in the poetry of Walt Whitman. Whitman’s expansive voice — bodily, earthy, mystical, and democratic — offered Carr a model for speaking of nature as alive and ensouled rather than merely picturesque. This post explores how Whitman’s writing intersected with Carr’s artistic and spiritual development: how it supported her independence, deepened…
