Emily Carr’s art is autobiographical not in the superficial sense that it follows her movements and relates to periods of her life, nor as a reflection of her changing moods. It is the nature of some art to find its sources in the deepest wellspring of the self, and so it was with Carr and her mature work, once she had learned to make that mysterious connection with her intense psychic energy. She was one of those artist who live themselves out in their work.

– Doris Shadbolt, The Art of Emily Carr (1979)

1879 - 1899

Melons

1890

Cedar Cannibal House

1898

Ucluelet

1899

1900 - 1919

Beacon Hill Park

1909

Market by the Sea

1911

War Canoes, Alert Bay

1912

1910 - 1919

Yan Q.C.I.

1912

Potlatch Figure

1912

Indian House Interior with Totems

1912

1920 - 1929

Logging Camp

1920

Indian Church

1929

Self Portrait

1924

1930 - 1939

Forest British Columbia

1932

Odds and Ends

1939

Trees in the Sky

1939

1940 - 1945

Cedar

1942

Clearing

1942

Cedar

1942

her Pottery

1924
1924
1930
1937

her Hooked Rugs

1924 - 1930
1924 - 1930
1924 - 1930

in her own words...